![]() The show ran for decades, originally as part of the NBC Mystery Movie lineup, and follows Peter Falk as the titular frumpy New York homicide detective working out of Los Angeles. Still, if there’s a point of origin for the particular incarnation of “crazy rich people” media we’re living through, it’s Columbo. Succession is just King Lear with a dick-pic mishap. As potent a message as it may be these days - rich people have, after all, been especially weird in recent years - it’s hardly new. It’s the single dominant thematic thread tying together whodunit blockbusters ( Knives Out, Glass Onion), horror films ( Ready or Not), hospitality satires ( The White Lotus), and culinary black comedies ( The Menu) alike. One word of warning: you will never get that ‘Pickwick Triplets’ song out of your head.As just about every popular movie and TV show of the past few years has seemed intent on reminding us, rich people are weird. Martin and Short always play to the gallery, dropping in callbacks to everything from Three Amigos! to Father of the Bride, Meryl Streep appears as an overthinking thesp and Matthew Broderick cameos. This is the run where the show leaves the Upper West Side, half-shelves its podcast device and fully indulges its inner luvvie, uniting Martin Short’s theatre director Oliver Putnam and Steve Martin’s coasting actor Charles-Haden Savage for a murder-mystery musical in which Paul Rudd’s narcissistic A-lister is actually murdered. The ensuing episodes offer a richly entertaining showcase of sleuthing, suspects and the ego-driven mayhem involved in putting on an off-Broadway production. – Matthew SingerĪ whodunit wrapped inside another whodunit? There’s an eccentric genius at work in the third season of Steve Martin’s inspired collaboration with John Hoffman. But even as it got increasingly hard to watch, Barry was equally difficult to turn away from, right up to its bitter, bleak, painfully ironic end. It doesn’t quite stick the landing, relying on a few convenient plot contrivances and a disorienting time-jump to get where it wants to go. Amazingly, though, when Barry wants to be funny, it’s still funnier than just about anything else on TV – see Fred Armisen’s hilariously gory botched assassination attempt in episode 3. Everyone is down bad : Hader’s titular hitman-turned-actor is in prison for murdering a cop his on-off girlfriend’s dreams of stardom are as dead as the man she killed in self-defense and his mentor (Henry Winkler) is wracked with paranoia and narcissism. Indeed, by its fourth and final season, the uneasy balance that gave the show its singular tone had tipped almost completely into despair. □ From House of Cards to Beef : the greatest Netflix originals.Īs Bill Hader’s dark comedy went along, the darkness threatened to fully subsume the comedy part of the equation. □️ The best movies to catch at the cinema this month. But binge them fast, because in 2023, the shows never stop coming, and this list is sure to grow. something called FreeVee? All are totally binge-worthy. Others may have slipped under your radar, such as Amazon’s surreal I’m a Virgo, Fox’s hilarious Colin From Accounts or Jury Duty on. Certainly some you’re well aware of, like Succession, Top Boy, The Last of Us and The Bear. ![]() To help you figure out how best to focus your telly time, we’re conducting an ongoing ranking of the most elite television series of 2023. And then, inevitably, you never end up watching the new thing, because you’re already watching a half-dozen other shows you’re still trying to finish.Īllow us to help you prioritise. It seems like every few weeks, another must-see show is dropping on some brand new platform, and somehow you get roped into yet another subscription just so you don’t find yourself left out of the cultural loop. You probably don’t have to be told that there’s a lot of TV out there right now – your monthly streaming budget says it plainly enough.
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